Edited by James Boyer May
James Boyer May’s eight-poet sequence is held together less by a program than by abrupt changes of scale and method. Kenneth Lawrence Beaudoin opens with clipped, montage-like passages that move among rain, Manhattan, Tennessee, advertising, and memory. Thomas H. Carter’s hospital and prison scenes turn plain statement into moral pressure, while George P. Elliott brings ranch work, mathematics, engineering, and metaphysical doubt into tight lyrics and argumentative forms. Scott Greer’s desert and mountain poems widen into sequence and elegy; William Pillin answers with cyclical winter and domestic structures.
The second half becomes more theatrical. James Schevill’s long-titled satires crowd philosophy, bureaucracy, drug stores, hotels, and American spectacle into elastic lines. Felix N. Stefanile uses nursery-rhyme music, biblical figures, puppets, and zodiac imagery to make compact surreal fables. Harold Witt closes with atomic anxiety, office machinery, Mozart, winter light, grief, and a final “Ascent” that remains tied to the city below. May’s “Concerning Anomalies” frames these differences as a virtue, and the acknowledgments map the little-magazine network through which the poems circulated. The anthology’s coherence lies in that network—and in eight sharply unlike formal responses to postwar American life.
Complete Digital Reading Edition · Public PDF
Contents
Edition notes, James Boyer May’s “Concerning Anomalies,” and the original acknowledgments precede sixty-eight poems and sequences by Kenneth Lawrence Beaudoin, Thomas H. Carter, George P. Elliott, Scott Greer, William Pillin, James Schevill, Felix N. Stefanile, and Harold Witt. A textual note closes the edition.
| Title | Creator | Genre / type | Reader PDF page |
|---|---|---|---|
| Edition Note | Brian Kim Stefans | digital edition apparatus | reader PDF p. 3 |
| A Note on This Edition | Brian Kim Stefans | editorial introduction | reader PDF p. 6 |
| Concerning Anomalies | James Boyer May | original introduction | reader PDF p. 8 |
| Acknowledgments | James Boyer May | acknowledgments | reader PDF p. 10 |
| from RAINY SUNDAY (Parts i & iii) | Kenneth Lawrence Beaudoin | poem sequence | reader PDF p. 11 |
| from CLEAR POOL (Poems June 10, 1950) | Kenneth Lawrence Beaudoin | poem sequence | reader PDF p. 12 |
| PASTORAL POEM | Kenneth Lawrence Beaudoin | poem | reader PDF p. 13 |
| JACKSON, TENNESSEE | Kenneth Lawrence Beaudoin | poem | reader PDF p. 13 |
| OBSERVATION FROM THE LAST HILL | Kenneth Lawrence Beaudoin | poem | reader PDF p. 15 |
| from TWO SUITES FOR MANHATTAN | Kenneth Lawrence Beaudoin | poem sequence | reader PDF p. 15 |
| POEM FOR A PRISONER | Thomas H. Carter | poem | reader PDF p. 18 |
| PROPHECY | Thomas H. Carter | poem | reader PDF p. 19 |
| ESCAPE MECHANISM | Thomas H. Carter | poem | reader PDF p. 19 |
| HOSPITAL SCENE: I | Thomas H. Carter | poem | reader PDF p. 20 |
| HOSPITAL SCENE: II | Thomas H. Carter | poem | reader PDF p. 20 |
| SUNDAY MORNING | Thomas H. Carter | poem | reader PDF p. 21 |
| THE ACCIDENT | Thomas H. Carter | poem | reader PDF p. 22 |
| THE PIONEERS for Ray Bradbury | Thomas H. Carter | poem | reader PDF p. 23 |
| POEM | Thomas H. Carter | poem | reader PDF p. 23 |
| SOME WORDS FOR JANE | Thomas H. Carter | poem | reader PDF p. 24 |
| POEM ABOUT MYSELF | George P. Elliott | poem | reader PDF p. 25 |
| PASTURE WITH A BARN AND TREES SEEN FROM A SHIPYARD | George P. Elliott | poem | reader PDF p. 26 |
| THE BORDERLAND | George P. Elliott | poem | reader PDF p. 27 |
| TO A BIRD OUTSIDE THE WINDOW | George P. Elliott | poem | reader PDF p. 27 |
| OLD WOMEN SHELLING PEAS | George P. Elliott | poem | reader PDF p. 28 |
| QUATRAIN | George P. Elliott | poem | reader PDF p. 28 |
| CREDO IN sqrt(-1) | George P. Elliott | poem | reader PDF p. 28 |
| MATH PROBLEM | George P. Elliott | poem | reader PDF p. 29 |
| THE DIVER | George P. Elliott | poem | reader PDF p. 30 |
| AT MIDNIGHT | George P. Elliott | poem | reader PDF p. 31 |
| THE WALL | George P. Elliott | poem | reader PDF p. 31 |
| THE GIFT | George P. Elliott | poem | reader PDF p. 32 |
| THE CYCLONE | George P. Elliott | poem | reader PDF p. 32 |
| AS I WAS COMING HOME | George P. Elliott | poem | reader PDF p. 33 |
| RECITATIVE: THE MOUNTAIN SUMMER | George P. Elliott | poem | reader PDF p. 33 |
| THE DESERTED GARDEN | Scott Greer | poem | reader PDF p. 34 |
| THE ASPENS IN HIDDEN VALLEY | Scott Greer | poem | reader PDF p. 35 |
| TWO POEMS ON AN INDIAN BALLET | Scott Greer | poem sequence | reader PDF p. 37 |
| 1. Shankar | Scott Greer | poem | reader PDF p. 37 |
| 2. Harvest Dance | Scott Greer | poem | reader PDF p. 38 |
| JULY FOURTH | Scott Greer | poem | reader PDF p. 38 |
| THE OZARK ELEGY | Scott Greer | poem | reader PDF p. 39 |
| from A WINTER SHEAF | William Pillin | poem sequence | reader PDF p. 42 |
| FOUR LANDSCAPES | William Pillin | poem sequence | reader PDF p. 45 |
| DOMESTIC CYCLE | William Pillin | poem sequence | reader PDF p. 47 |
| THE NIGHT SENSES OF AMERICA | James Schevill | poem | reader PDF p. 49 |
| THE CONTEMPORARY PHILOSOPHER AT THE ZOO SEES THE MIND IN A CAGE | James Schevill | poem | reader PDF p. 50 |
| HERMANSKI, THE HOBO, AND THE HOTEL OF DEATH | James Schevill | poem | reader PDF p. 51 |
| CONFIDENTIAL DATA ON THE LOYALTY INVESTIGATION OF HERBERT ASHENFOOT | James Schevill | poem | reader PDF p. 52 |
| THE CLOWNS ARE DANCING IN THE DRUG STORES | James Schevill | poem | reader PDF p. 52 |
| RALPH WALDO EMERSON RECEIVES A VISIT FROM THE SANE MAN AND REJECTS HIM | James Schevill | poem | reader PDF p. 53 |
| THE PEACEABLE KINGDOM OF EDWARD HICKS | James Schevill | poem | reader PDF p. 54 |
| PLEA FOR A RAIN OF SILVERSIDES BY THE GOSPEL FOR SUNDAY WIVES | James Schevill | poem | reader PDF p. 55 |
| RIMBAUD RAPED BY SOLDIERS | James Schevill | poem | reader PDF p. 56 |
| VILLAGE ON MY BACK | James Schevill | poem | reader PDF p. 56 |
| AS I WENT OUT ONE MORNING | Felix N. Stefanile | poem | reader PDF p. 57 |
| THE ZODIAC MAN | Felix N. Stefanile | poem | reader PDF p. 58 |
| THE MARIONETTES | Felix N. Stefanile | poem | reader PDF p. 60 |
| IN THE HORSE LATITUDES | Felix N. Stefanile | poem | reader PDF p. 61 |
| THAT UNDERGROUND SUN | Felix N. Stefanile | poem | reader PDF p. 62 |
| FALL OF ADAM | Felix N. Stefanile | poem | reader PDF p. 63 |
| ON FIRST LOOKING INTO 'SURVIVAL UNDER ATOMIC ATTACK' | Harold Witt | poem | reader PDF p. 64 |
| REVISION | Harold Witt | poem | reader PDF p. 64 |
| STILL LIFE | Harold Witt | poem | reader PDF p. 66 |
| DICTAPHONES PLAYED BACH | Harold Witt | poem | reader PDF p. 66 |
| CHRISTMAS DINNER, WITH WINE AND MOZART | Harold Witt | poem | reader PDF p. 67 |
| BIRD IN THE BUSH | Harold Witt | poem | reader PDF p. 68 |
| BLURRING YEARS | Harold Witt | poem | reader PDF p. 68 |
| DELAY OF GREEN | Harold Witt | poem | reader PDF p. 69 |
| AT WINTER SOLSTICE | Harold Witt | poem | reader PDF p. 69 |
| OUT OF SEASON ELEGY | Harold Witt | poem | reader PDF p. 70 |
| ASCENT | Harold Witt | poem | reader PDF p. 70 |
| Textual Note | Brian Kim Stefans | digital edition apparatus | reader PDF p. 72 |
Contributors
- James Boyer May — Editor and original introduction
- Kenneth Lawrence Beaudoin — Poet
- Thomas H. Carter — Poet
- George P. Elliott — Poet
- Scott Greer — Poet
- William Pillin — Poet
- James Schevill — Poet
- Felix N. Stefanile — Poet
- Harold Witt — Poet
- Brian Kim Stefans — Editorial introduction and digital edition apparatus
Publication details
Subjects and editorial notes
Subjects
Keywords
Eight American Poets James Boyer May Kenneth Lawrence Beaudoin Thomas H. Carter George P. Elliott Scott Greer William Pillin James Schevill Felix N. Stefanile Harold Witt Villiers Publications 1952
Continuity notes
Part of the shared Anthologies and Documents collection. The volume complements the site's California and Los Angeles poetry holdings while retaining its broader national scope.
Edition note
The complete anthology was reset from the 72-page local scan. The correction pass removed running headers and OCR debris, repaired gutter-clipped initial letters, restored missing lines and titles, rejoined typographical word wraps, and retained the original page sequence, stanza divisions, supported indentation, historical spelling, and unusual period usage. The cover uses eight offset vertical bands, one for each poet, joined by a single traversing line. Its geometry and muted ink colors draw on mid-century small-press design without copying the original wrapper. The source scan remains private editorial evidence and is not part of the upload package.
Source note
Metadata, contributor names, sequence, wording, lineation, indentation, original introduction, and acknowledgments were checked against the 72-page local scan. Printed pages 8–68 contain the poetry sequence. Because the source binding obscures opening characters on many verso pages, three OCR passes and direct inspection of 300-dpi page images were used during reconstruction.
Rights and citation
Copyright notice
Permissions for the original publication and individual works are pending. Copyright in new editorial matter and design © 2026 Brian Kim Stefans.
Rights status
Permissions Pending
Rights basis
Permissions review is in progress and is being handled separately by the project owner.
Suggested citation
May, James Boyer, ed. Eight American Poets. Villiers Publications, 1952. Text/Tech Anthologies and Documents, reader’s edition, 2026.