Edited by James Boyer May, Thomas McGrath, Peter Yates
The book begins in Mae Babitz’s living room and reads like a public poetry series transferred to paper: eighteen Los Angeles poets, grouped by author, with no claim to a single style. Josephine Ain’s “Aspects” and Melissa Blake’s untitled haiku sequence establish two kinds of serial form, one meditative and one radically compressed. Gene Frumkin and Stanley Kiesel bring political allegory, surreal collision, and comic aggression; Guy Daniels moves between translation, sonnet, and satire. Thomas McGrath contributes one extended section of “Letter to an Imaginary Friend,” where erotic memory, politics, and autobiography accumulate in long argumentative lines.
The later groups sharpen the anthology’s range. Bert Meyers builds spare poems from manual work, weather, and domestic inheritance; Gil Orlovitz drives “M’sieu Mishiga: 7” through typographic and verbal overload. William Pillin’s sequences contrast prophetic unease with domestic and Jewish ethics, while Lawrence P. Spingarn works in tightly rhymed stanzas. Ann Stanford’s dramatic poems, Edmund Teske’s visual spacing, Zack Walsh’s untitled fragments, Mel Weisburd’s social dreamwork, Curtis Zahn’s Southern California satire, and Peter Yates’s musical arguments make the volume a record of competing midcentury practices. Its exclusions matter too: this is one Los Angeles network, not a comprehensive city anthology.
Reset Reading Edition with Historical Apparatus · Public PDF
Contents
A historical introduction and edition note precede the 1958 editors’ statement, dedication, and sixty-four poems or sequences arranged in eighteen author sections. Original acknowledgments are followed by new biographies, publication history, rights and provenance notes, and sources.
| Title | Creator | Genre / type | Reader PDF page |
|---|---|---|---|
| Introduction: A Reading in Los Angeles, 1957–58 | Brian Kim Stefans | editorial introduction | reader PDF p. 7 |
| A Note on This Edition | Brian Kim Stefans | digital edition apparatus | reader PDF p. 15 |
| Editors’ Note | James Boyer May, Thomas McGrath, and Peter Yates | editors’ statement | reader PDF p. 21 |
| Dedication to Mae Babitz | James Boyer May, Thomas McGrath, and Peter Yates | dedication | reader PDF p. 23 |
| Aspects | Josephine Ain | poem sequence | reader PDF p. 25 |
| [Untitled sequence, I–III] | Melissa Blake | poem sequence | reader PDF p. 31 |
| The Hawk and the Lizard | Gene Frumkin | poem | reader PDF p. 37 |
| That Girl Who Follows Me | Gene Frumkin | poem | reader PDF p. 38 |
| ‘Iowa, Kansas, Nebraska’ | Gene Frumkin | poem | reader PDF p. 39 |
| Lake Revisited | Gene Frumkin | poem | reader PDF p. 39 |
| Poem for Childhood | Gene Frumkin | poem | reader PDF p. 40 |
| A Prophecy | Guy Daniels | translated poem after Lermontov | reader PDF p. 43 |
| The Sail | Guy Daniels | translated poem after Lermontov | reader PDF p. 43 |
| Sonnet for Anne | Guy Daniels | sonnet | reader PDF p. 44 |
| The Mooring Line | Guy Daniels | poem | reader PDF p. 44 |
| A Federal Poet | Guy Daniels | satirical poem | reader PDF p. 45 |
| A Biologist Looks at the Civil Service | Guy Daniels | satirical poem | reader PDF p. 46 |
| Envoi | Guy Daniels | poem | reader PDF p. 46 |
| Cleaning Woman | Sid Gershgoren | poem | reader PDF p. 47 |
| The Trouble with the Times | Sid Gershgoren | poem | reader PDF p. 48 |
| White Sands Cinerama | Sid Gershgoren | poem | reader PDF p. 48 |
| For the Man from Mars | Stanley Kiesel | satirical poem | reader PDF p. 51 |
| On Friday and on Monday | Stanley Kiesel | poem | reader PDF p. 52 |
| A Sketch | Stanley Kiesel | poem | reader PDF p. 53 |
| At a Party | Stanley Kiesel | poem | reader PDF p. 53 |
| Gone | Stanley Kiesel | poem | reader PDF p. 54 |
| Letter to an Imaginary Friend, IV.1 | Thomas McGrath | long poem section | reader PDF p. 57 |
| The Shout Which Precedes | James Boyer May | poem | reader PDF p. 63 |
| Of Sage and Ruined Temple | James Boyer May | poem | reader PDF p. 64 |
| Leitmotif | James Boyer May | poem | reader PDF p. 64 |
| Note on the Tension of the Untense | James Boyer May | poem | reader PDF p. 64 |
| The Dissimulating Lunatic | James Boyer May | poem | reader PDF p. 65 |
| And Keep This Christmas All the Year | James Boyer May | poem | reader PDF p. 66 |
| Picture Framing | Bert Meyers | poem | reader PDF p. 69 |
| Once, in Autumn | Bert Meyers | poem | reader PDF p. 69 |
| Rainy Day | Bert Meyers | poem | reader PDF p. 70 |
| Because There’s So Much Speed | Bert Meyers | poem | reader PDF p. 70 |
| M’sieu Mishiga: 7 | Gil Orlovitz | long poem | reader PDF p. 73 |
| A Counter-Theme | William Pillin | poem sequence | reader PDF p. 77 |
| Aubade | William Pillin | poem | reader PDF p. 79 |
| Two Jewish Poems | William Pillin | poem sequence | reader PDF p. 80 |
| Rococo Summer | Lawrence P. Spingarn | sonnet | reader PDF p. 83 |
| Jack of Diamonds | Lawrence P. Spingarn | sonnet | reader PDF p. 83 |
| The Beachcombers | Lawrence P. Spingarn | sonnet | reader PDF p. 84 |
| Diary of a Heavy Man | Lawrence P. Spingarn | sonnet sequence | reader PDF p. 85 |
| A Classic Journey | Lawrence P. Spingarn | sonnet | reader PDF p. 85 |
| West | Lawrence P. Spingarn | sonnet | reader PDF p. 86 |
| The Weathercock | Ann Stanford | poem | reader PDF p. 89 |
| The Bear | Ann Stanford | dramatic poem | reader PDF p. 90 |
| A Summer Walk | Ann Stanford | poem | reader PDF p. 91 |
| In the Door That Opens | Edmund Teske | poem | reader PDF p. 93 |
| I Have Just Crossed the Mississippi | Edmund Teske | poem | reader PDF p. 93 |
| You Are My Days’ Great Gain | Edmund Teske | poem | reader PDF p. 94 |
| [Untitled: ‘Have you listened …’] | Zack Walsh | poem | reader PDF p. 97 |
| [Untitled: ‘This day …’] | Zack Walsh | poem | reader PDF p. 97 |
| [Untitled: ‘Come into this small quiet moment …’] | Zack Walsh | poem | reader PDF p. 98 |
| [Untitled: ‘april hearted frogs …’] | Zack Walsh | poem | reader PDF p. 98 |
| When I Go Down to That Sleep | Mel Weisburd | poem | reader PDF p. 99 |
| The Integration of Failure | Mel Weisburd | poem sequence | reader PDF p. 100 |
| Later Than There Is No Never No | Curtis Zahn | poem | reader PDF p. 103 |
| Homage to a Girl Named Cupcake | Curtis Zahn | poem | reader PDF p. 103 |
| Success Story from an Economic Engineer | Curtis Zahn | satirical poem | reader PDF p. 105 |
| Southern California as the State of the Union | Curtis Zahn | satirical poem | reader PDF p. 106 |
| If a Man Cannot Build a New House | Peter Yates | poem | reader PDF p. 109 |
| The Lonely Man | Peter Yates | poem | reader PDF p. 110 |
| For Charles Ives | Peter Yates | poem | reader PDF p. 111 |
| A Conceit for Stravinsky | Peter Yates | poem | reader PDF p. 112 |
| A Twelve-Tone Statement of Popular Opinion in Regard to Arnold Schoenberg and His Music | Peter Yates | poem | reader PDF p. 113 |
| From My Window | Peter Yates | poem | reader PDF p. 113 |
| Acknowledgements | James Boyer May, Thomas McGrath, and Peter Yates | acknowledgments | reader PDF p. 115 |
| Biographical Notes | Brian Kim Stefans | digital edition apparatus | reader PDF p. 117 |
| Notes on Publication | Brian Kim Stefans | digital edition apparatus | reader PDF p. 127 |
| A Note on Rights and Provenance | Brian Kim Stefans | digital edition apparatus | reader PDF p. 131 |
| Sources | Brian Kim Stefans | digital edition apparatus | reader PDF p. 135 |
Contributors
- James Boyer May — Editor and poet
- Thomas McGrath — Editor and poet
- Peter Yates — Editor and poet
- Josephine Ain — Poet
- Melissa Blake — Poet
- Gene Frumkin — Poet
- Guy Daniels — Poet
- Sid Gershgoren — Poet
- Stanley Kiesel — Poet
- Bert Meyers — Poet
- Gil Orlovitz — Poet
- William Pillin — Poet
- Lawrence P. Spingarn — Poet
- Ann Stanford — Poet
- Edmund Teske — Poet
- Zack Walsh — Poet
- Mel Weisburd — Poet
- Curtis Zahn — Poet
- Brian Kim Stefans — Editorial introduction and digital edition apparatus
Publication details
Subjects and editorial notes
Subjects
Keywords
Poetry Los Angeles James Boyer May Thomas McGrath Peter Yates Los Angeles Villiers 1958
Continuity notes
Part of the shared Anthologies and Documents collection.
Edition note
The formatted edition presents the selected source text in a stable, searchable reading format with modern navigation. Source scans remain private editorial evidence and are not part of the public upload. For the website upload, the page canvas was proportionally fitted to a 6 × 9 inch trim without cropping or changing the text.
Source note
Metadata and contents were checked against the 137-page formatted PDF and the identified source scan files where available.
Rights and citation
Copyright notice
Permissions for the original publication and individual works are pending. Copyright in new editorial matter and design © 2026 Brian Kim Stefans.
Rights status
Permissions Pending
Rights basis
Permissions review is in progress and is being handled separately by the project owner.
Suggested citation
May, James Boyer, Thomas McGrath, and Peter Yates, eds. Poetry Los Angeles I. Villiers Publications Ltd., 1958. Text/Tech Anthologies and Documents, reader’s edition, 2026.