Edited by Mel Weisburd, Morton Dimondstein
Estelle Gershgoren Novak constructs Los Angeles literary history as a collage of poems, testimony, editorials, letters, photographs, announcements, and visual art. The California Quarterly and Coastlines supply the book's central documentary thread: their anti-McCarthy commitments appear beside Thomas McGrath's HUAC statement, Edwin Rolfe memorials, Mel Weisburd's editorials, and arguments over independent publishing. Poet sections retain striking formal differences, from Naomi Replansky's compressed songs and William Pillin's meditative lyrics to Bert Meyers's street scenes, Eugene Frumkin's hospital poems, and Ann Stanford's dramatic narratives. The Lawrence Lipton and Charles Bukowski sections complicate the scene's relation to Beat publicity. Artwork by Mario Casetta, Morton Dimondstein, Martin Lubner, Arnold Mesches, and others is not ornamental; covers, woodcuts, engravings, and drawings record the magazines as designed social objects. This reading edition preserves the 2002 sequence, including Philip Levine's foreword, Novak's introduction, indexes, bibliography, and image program. The detailed contents identify poems, prose, letters, editorial statements, artist profiles, and the illustration list at their first reader-PDF pages.
Complete Illustrated Digital Reading Edition · Public PDF
Contents
A documentary anthology combining poems, testimony, editorials, letters, memoir, criticism, interviews, announcements, indexes, and artist profiles. The manifest records 139 detailed text-and-apparatus entries; the separate illustration list documents the book's photographs, covers, prints, and drawings.
| Title | Creator | Genre / type | Reader PDF page |
|---|---|---|---|
| A Note on This Edition | Brian Kim Stefans | Reading-edition note | reader PDF p. 3 |
| List of Illustrations | Estelle Gershgoren Novak | Illustration list | reader PDF p. 14 |
| Acknowledgments | Estelle Gershgoren Novak | Acknowledgments | reader PDF p. 16 |
| Foreword | Philip Levine | Foreword | reader PDF p. 17 |
| Introduction | Estelle Gershgoren Novak | Introduction | reader PDF p. 21 |
| You Can Start the Poetry Now!! | Estelle Gershgoren Novak | Documentary section | reader PDF p. 79 |
| First Editorial Statement: The California Quarterly | The California Quarterly Editorial Board | Editorial statement | reader PDF p. 79 |
| Homage to Thomas McGrath | E. P. Thompson | Tribute | reader PDF p. 81 |
| Statement to the House Un-American Activities Committee | Thomas McGrath | Testimony | reader PDF p. 81 |
| Mr. and Mrs. Foxbright × Muddlehead, At Home | Thomas McGrath | Poem | reader PDF p. 82 |
| All the Dead Poets | Thomas McGrath | Poem | reader PDF p. 83 |
| A Note on Tom McGrath - the Early '50s | Eugene Frumkin | Memoir | reader PDF p. 85 |
| Escape | Thomas McGrath | Poem | reader PDF p. 86 |
| The Roads into the Country | Thomas McGrath | Poem | reader PDF p. 86 |
| On Writing “Letter to an Imaginary Friend” | Thomas McGrath | Poetics prose | reader PDF p. 87 |
| Letter to an Imaginary Friend | Thomas McGrath | Poem | reader PDF p. 88 |
| from Letter to an Imaginary Friend | Thomas McGrath | Poem extract | reader PDF p. 94 |
| Entry in Ann Stanford's Diary on Tom McGrath | Ann Stanford | Diary entry | reader PDF p. 98 |
| Complaint | Thomas McGrath | Poem | reader PDF p. 98 |
| Successions | Thomas McGrath | Poem | reader PDF p. 98 |
| Longshot O'Leary Says It's Your Duty to Be Full of Fury | Alice McGrath | Remembrance | reader PDF p. 100 |
| Alabanza para Thomas McGrath | Sergio Ramírez | Tribute | reader PDF p. 100 |
| from “Foreword,” Permit Me Refuge | Thomas McGrath | Foreword extract | reader PDF p. 103 |
| Sentry | Edwin Rolfe | Poem | reader PDF p. 104 |
| Bon Voyage | Edwin Rolfe | Poem | reader PDF p. 105 |
| Editors of The California Quarterly on Rolfe's Death | The California Quarterly Editorial Board | Memorial statement | reader PDF p. 105 |
| Elegy for a Soldier of the Spanish Civil War | Eugene Frumkin | Poem | reader PDF p. 106 |
| “Dedication,” Coastlines, spring 1955 | Coastlines Editors | Editorial dedication | reader PDF p. 109 |
| “A Note on Independent Publishing” | The California Quarterly Editorial Board | Editorial note | reader PDF p. 109 |
| Poem | Edwin Rolfe | Poem | reader PDF p. 110 |
| Idiot Joe Prays in Pershing Square and Gets Hauled in for Vagrancy | Edwin Rolfe | Poem | reader PDF p. 111 |
| Editorial: The California Quarterly | The California Quarterly Editorial Board | Editorial | reader PDF p. 111 |
| The Dissenter | Don Gordon | Poem | reader PDF p. 113 |
| The Travelers | Don Gordon | Poem | reader PDF p. 114 |
| the investigation | Don Gordon | Poem | reader PDF p. 114 |
| At the Station | Don Gordon | Poem | reader PDF p. 116 |
| Consider the Meaning of Love | Don Gordon | Poem | reader PDF p. 117 |
| The Middle Passage | Don Gordon | Poem | reader PDF p. 118 |
| Ring Song | Naomi Replansky | Poem | reader PDF p. 121 |
| Housing Shortage | Naomi Replansky | Poem | reader PDF p. 122 |
| The Art Editor on Art in The California Quarterly | The California Quarterly Art Editor | Editorial statement | reader PDF p. 122 |
| Night Prayer for Various Trades | Naomi Replansky | Poem | reader PDF p. 123 |
| You Walked a Crooked Mile | Naomi Replansky | Poem | reader PDF p. 124 |
| Epitaph: 1945 | Naomi Replansky | Poem | reader PDF p. 125 |
| “Statement,” Epos: Poetry Los Angeles: A Special Issue | William Pillin | Statement | reader PDF p. 126 |
| Alvaro Cardona-Hine on William Pillin | Alvaro Cardona-Hine | Remembrance | reader PDF p. 127 |
| Sabbath | William Pillin | Poem | reader PDF p. 128 |
| Aubade | William Pillin | Poem | reader PDF p. 129 |
| Two Jewish Poems | William Pillin | Poem sequence | reader PDF p. 130 |
| Ocean Park | William Pillin | Poem | reader PDF p. 132 |
| That which is good is simply done | William Pillin | Poem | reader PDF p. 133 |
| Miserere | William Pillin | Poem | reader PDF p. 134 |
| Migration | Henri Coulette | Poem | reader PDF p. 136 |
| The Head's Dark House | Henri Coulette | Poem | reader PDF p. 137 |
| The Problem of Creation | Henri Coulette | Poem | reader PDF p. 138 |
| The People's Choice | Curtis Zahn | Poem | reader PDF p. 140 |
| Unposed Photograph of I. I. Freitag, Esq. | Curtis Zahn | Poem | reader PDF p. 141 |
| Josephine Ain on Curtis Zahn | Josephine Ain | Remembrance | reader PDF p. 142 |
| Officers, Gentlemen, Reluctant Violence | Curtis Zahn | Poem | reader PDF p. 143 |
| Tijuana | Curtis Zahn | Poem | reader PDF p. 144 |
| One Star for “P.R.” | Curtis Zahn | Poem | reader PDF p. 146 |
| Southern California as the State of the Union | Curtis Zahn | Poem | reader PDF p. 148 |
| Announcement for Poetry Reading: McGrath, Boyer-May, Spingarn, Ain, and Zahn | The California Quarterly Editorial Board | Event announcement | reader PDF p. 149 |
| Night in the Funeral Range | Lawrence Spingarn | Poem | reader PDF p. 151 |
| The Ship of Fools | Lawrence Spingarn | Poem | reader PDF p. 152 |
| an imperial fragment | Lawrence Spingarn | Poem | reader PDF p. 152 |
| Rococo Summer | Lawrence Spingarn | Poem | reader PDF p. 154 |
| Jack of Diamonds | Lawrence Spingarn | Poem | reader PDF p. 155 |
| The Grammarian: Parts of Speech | Lawrence Spingarn | Poem | reader PDF p. 156 |
| Letter: Bert Meyers to John Haines | Bert Meyers | Letter | reader PDF p. 157 |
| In the Alley | Bert Meyers | Poem | reader PDF p. 158 |
| “The Daily Reality,” Bert Meyers's Early Rain | Eugene Frumkin | Review | reader PDF p. 159 |
| I Dreamed | Bert Meyers | Poem | reader PDF p. 161 |
| Picture Framing | Bert Meyers | Poem | reader PDF p. 161 |
| Because There's So Much Speed | Bert Meyers | Poem | reader PDF p. 162 |
| Editorial: First Issue of Coastlines | Coastlines Editors | Editorial | reader PDF p. 164 |
| My Father | Mel Weisburd | Poem | reader PDF p. 165 |
| A Crow Black With Purpose | Mel Weisburd | Poem | reader PDF p. 166 |
| On Coastlines: From an Interview with Mel Weisburd | Mel Weisburd | Interview | reader PDF p. 168 |
| When I Go Down to That Sleep | Mel Weisburd | Poem | reader PDF p. 168 |
| Dreamsong: a Sirvente for Mel Weisburd | Thomas McGrath | Poem | reader PDF p. 169 |
| Editorial | Mel Weisburd | Editorial | reader PDF p. 170 |
| Lysergic Acid and the Creative Experience | Mel Weisburd | Essay | reader PDF p. 172 |
| Commentary from “The Merchant of Venice” | Mel Weisburd | Commentary | reader PDF p. 180 |
| Between Chicago and St. Paul | Mel Weisburd | Poem | reader PDF p. 180 |
| Announcement for Coastlines-Forum Concert | Coastlines Editors | Event announcement | reader PDF p. 181 |
| Report From Evanston | Mel Weisburd | Poem | reader PDF p. 182 |
| Letter: Mel Weisburd to Coastlines' Final Issue | Mel Weisburd | Letter | reader PDF p. 184 |
| A Note on Tom McGrath - “the Early '50s” | Eugene Frumkin | Memoir | reader PDF p. 187 |
| Elegy for a Tailor | Eugene Frumkin | Poem | reader PDF p. 188 |
| The Waiting Room in the County Hospital | Eugene Frumkin | Poem | reader PDF p. 188 |
| Regarding a Proposal to Merge Coastlines and The California Quarterly into One Magazine | Coastlines Editors | Unsigned editorial memo | reader PDF p. 190 |
| Iowa, Kansas, Nebraska | Eugene Frumkin | Poem | reader PDF p. 190 |
| The Clue | Eugene Frumkin | Poem | reader PDF p. 191 |
| A Birthday Editorial | Eugene Frumkin | Editorial | reader PDF p. 194 |
| The Debt | Eugene Frumkin | Poem | reader PDF p. 195 |
| Men Fail in Communion | Eugene Frumkin | Poem | reader PDF p. 196 |
| The Great Promotor: A Hangnail Sketch of Lawrence Lipton | Eugene Frumkin | Satirical sketch | reader PDF p. 197 |
| Three Personal Poems of Grandeur and Magniloquence | Alvaro Cardona-Hine | Poem sequence | reader PDF p. 210 |
| Vindication | Alvaro Cardona-Hine | Poem | reader PDF p. 216 |
| Letter: Cardona-Hine on Coastlines | Alvaro Cardona-Hine | Letter | reader PDF p. 218 |
| Doomsday and Components | Alvaro Cardona-Hine | Poem | reader PDF p. 218 |
| Letter: Cardona-Hine on Editing Coastlines | Alvaro Cardona-Hine | Letter | reader PDF p. 219 |
| The Train of the Wounded | Miguel Hernández; translated by Alvaro Cardona-Hine | Poem in translation | reader PDF p. 219 |
| Gregg | Stanley Kiesel | Poem | reader PDF p. 221 |
| Joey | Stanley Kiesel | Poem | reader PDF p. 222 |
| Seven Children | Stanley Kiesel | Poem | reader PDF p. 223 |
| You There, Weeping | Josephine Ain | Poem | reader PDF p. 225 |
| Magdalen | Josephine Ain | Poem | reader PDF p. 226 |
| Don Quixote | Josephine Ain | Poem | reader PDF p. 227 |
| Seven Haiku | Josephine Ain | Poem sequence | reader PDF p. 228 |
| Aspects | Josephine Ain | Poem | reader PDF p. 228 |
| Letter: Alvaro Cardona-Hine on Readings at the House of Josephine Ain | Alvaro Cardona-Hine | Letter | reader PDF p. 232 |
| Number XVI from The Flesh of Utopia to Bob Chuey | Alvaro Cardona-Hine | Poem | reader PDF p. 233 |
| The Frugal Repast | Sid Gershgoren | Poem | reader PDF p. 234 |
| Cleaning Woman | Sid Gershgoren | Poem | reader PDF p. 236 |
| The Trouble with the Times | Sid Gershgoren | Poem | reader PDF p. 237 |
| Legend | Estelle Gershgoren Novak | Poem | reader PDF p. 239 |
| The Time Machine of War | Estelle Gershgoren Novak | Poem | reader PDF p. 239 |
| Hiroshima Woman | Estelle Gershgoren Novak | Poem | reader PDF p. 240 |
| The Shape of a Pear | Estelle Gershgoren Novak | Poem | reader PDF p. 241 |
| Scars | Estelle Gershgoren Novak | Poem | reader PDF p. 241 |
| Pandora | Ann Stanford | Poem | reader PDF p. 242 |
| The Burning Glass | Ann Stanford | Poem | reader PDF p. 243 |
| The Weathercock | Ann Stanford | Poem | reader PDF p. 244 |
| The Bear | Ann Stanford | Poem | reader PDF p. 245 |
| A Summer Walk | Ann Stanford | Poem | reader PDF p. 246 |
| The Window | Ann Stanford | Poem | reader PDF p. 248 |
| Reading Poetry Aloud | Peter Yates | Essay | reader PDF p. 249 |
| The Pocket Poet Series | Thomas McGrath | Review | reader PDF p. 257 |
| Lawrence Lipton on “America's Literary Underground” | Lawrence Lipton | Interview | reader PDF p. 260 |
| rainbow at midnight | Lawrence Lipton | Poem | reader PDF p. 261 |
| Night Flight | Lawrence Lipton | Poem | reader PDF p. 262 |
| Poetry, Jazz, Etc. | Thomas McGrath | Review | reader PDF p. 267 |
| I Was a Poet for the FBI | Lawrence Lipton | Memoir | reader PDF p. 271 |
| Lipton's Message in Coastlines' Final Issue | Lawrence Lipton | Letter | reader PDF p. 273 |
| Dow Jones: Down | Charles Bukowski | Poem | reader PDF p. 275 |
| everything: | Charles Bukowski | Poem | reader PDF p. 276 |
| Moved On | Alexandra Garrett | Essay | reader PDF p. 277 |
| Coastlines: a Post-mortem | Estelle Gershgoren Novak | Editorial commentary | reader PDF p. 279 |
| Complete List of Coastlines Contributors | Estelle Gershgoren Novak | Reference list | reader PDF p. 279 |
| The Artists | Estelle Gershgoren Novak | Artist profiles | reader PDF p. 283 |
| Title Index | Estelle Gershgoren Novak | Index | reader PDF p. 287 |
| Index of First Lines | Estelle Gershgoren Novak | Index | reader PDF p. 290 |
| Works Consulted | Estelle Gershgoren Novak | Bibliography | reader PDF p. 293 |
Contributors
- Estelle Gershgoren Novak — Original editor, introduction author, poet, and compiler of documentary apparatus
- Brian Kim Stefans — Reading-edition note author and digital editor
- Philip Levine — Foreword author
- The California Quarterly Editorial Board — Collective editorial contributor
- The California Quarterly Art Editor — Editorial statement contributor; individual not identified in the displayed credit
- Coastlines Editors — Collective editorial contributor
- Thomas McGrath — Poet, testimony author, critic, and prose contributor
- E. P. Thompson — Tribute author
- Eugene Frumkin — Poet, memoirist, critic, and editorial contributor
- Ann Stanford — Poet and diarist
- Alice McGrath — Remembrance author and photographer
- Sergio Ramírez — Tribute author
- Edwin Rolfe — Poet
- Don Gordon — Poet
- Naomi Replansky — Poet
- William Pillin — Poet and statement author
- Alvaro Cardona-Hine — Poet, letter writer, remembrance author, and translator
- Miguel Hernández — Poet translated by Alvaro Cardona-Hine
- Henri Coulette — Poet
- Curtis Zahn — Poet
- Josephine Ain — Poet and remembrance author
- Lawrence Spingarn — Poet; source contents variant “Lawrence Springarn”
- Bert Meyers — Poet and letter writer; source contents variant “Burt Meyers”
- Mel Weisburd — Poet, editor, essayist, interviewee, and letter writer
- Stanley Kiesel — Poet
- Sid Gershgoren — Poet
- Peter Yates — Essayist
- Lawrence Lipton — Poet, memoirist, interviewee, and letter writer
- Charles Bukowski — Poet
- Alexandra Garrett — Essayist
- Mario Casetta — Woodcut artist
- Morton Dimondstein — Engraver, painter, sculptor, and California Quarterly art editor
- Milton Gershgoren — Painter and graphic artist
- Sylvia Jarrico — Artist; credit form retained from the source contributor record
- Chris Jenkyns — Designer and illustrator
- David Lemon — Painter and Coastlines cover artist
- Martin Lubner — Painter and drawing artist
- Arnold Mesches — Painter and drawing artist
- Lowell Naeve — Artist; credit form retained from the source contributor record
- Earl Newman — Poster and silkscreen artist
- Manuel Santana — Painter
- Bernice Silberman — Lithographer, animator, and art teacher
- Polia Pillin — Linoleum-block artist, ceramist, and graphic artist
Publication details
Subjects and editorial notes
Subjects
Keywords
Poets of the Non-Existent City Estelle Gershgoren Novak Thomas McGrath Edwin Rolfe California Quarterly Coastlines Los Angeles poetry McCarthy era HUAC little magazines University of New Mexico Press 2002
Continuity notes
This volume complements the site’s editions of Poetry Los Angeles I, the individual poet volumes for Thomas McGrath, Edwin Rolfe, Josephine Ain, Bert Meyers, Mel Weisburd, Eugene Frumkin, Stanley Kiesel, and others, and the archival runs of The California Quarterly and Coastlines.
Edition note
The complete illustrated anthology was prepared on exact 6 × 9 inch pages. The editorial pass checked every page for missing gutter text, OCR substitutions, dropped words, accidental line joins, damaged stanza divisions, lost indentation, incorrect italics, incomplete captions, page-order errors, and clipped artwork. The new cover uses a cream, black, gray, and oxidized-red photomontage of Los Angeles street grids, palms, typewriter keys, pages, and a microphone, echoing the angular fragments of the original jacket and the handmade visual language of the journals without copying either design. The private source scans remain production evidence and are excluded from the public upload package.
Source note
The 139 detailed text-and-apparatus entries and their first reader-PDF pages were checked against the source contents and the 295-page reading edition. The source contents prints “Lawrence Springarn” and “Burt Meyers”; the body headings support Lawrence Spingarn and Bert Meyers. Artist roles were retained and merged into Contributors; the illustration list remains a separate source apparatus entry.
Rights and citation
Copyright notice
Original compilation and editorial matter © 2002 Estelle Gershgoren Novak; original publication by the University of New Mexico Press. This record makes no item-level determination for poems, prose, photographs, or artwork. Reading-edition note, design, and digital preparation © 2026 Brian Kim Stefans.
Rights status
Permissions Pending
Rights basis
Permissions review is in progress and is being handled separately by the project owner.
Suggested citation
Novak, Estelle Gershgoren, ed. Poets of the Non-Existent City: Los Angeles in the McCarthy Era. Mary Burritt Christiansen Poetry Series. Albuquerque: University of New Mexico Press, 2002. Text/Tech Anthologies and Documents, reader's edition, 2026.